InDiscReetions: vs. those "other" albums

The following track list compares the track sequence of the original four-LP configuration of Läther with the same tracks as they appear on the released Warner Brothers/DiscReet LPs. Note that this refers strictly to the LP configurations of these albums; the compact disc editions contain many further mixing and editing differences. Title variants are also noted. Even little ultra-picky ones.

This is followed by recording details (where known) of the tracks on the individual albums. The original vinyl editions of these albums bore no credits or liner notes. When the albums were reissued on CD in 1991, Zappa added musician credits, but these were incomplete and probably incorrect in places. Recording info was still lacking. The release of Läther has done little to alleviate this situation. Consequently I have had to rely on secondary sources for some recording locations and dates. (Sources used include Michael Brenna's The Big Note and Miles' Zappa: A Visual Documentary.)

Is there any significance to the fact that the six compositions that do not appear on the DiscReet releases all appear consecutively on Läther?

Side One

RE-GYPTIAN STRUT: Version on Läther same as track titled "Regyptian Strut" on Sleep Dirt.

NAVAL AVIATION IN ART?: Version on Läther same as on Orchestral Favorites (where it appeared without the question mark--I TOLD you this would get picky).

A LITTLE GREEN ROSETTA: This version unique to Läther. (Second half is a shorter version of "Ship Ahoy" from Shut Up 'N Play Yer Guitar.)

DUCK DUCK GOOSE: Not released elsewhere.

DOWN IN DE DEW: Not released by Warners. (Same as on The Guitar World According To Frank Zappa.)

FOR THE YOUNG SOPHISTICATE: This version unique to Läther.

Side Two

TRYIN' TO GROW A CHIN: This version unique to Läther.

BROKEN HEARTS ARE FOR ASSHOLES: This version unique to Läther.

THE LEGEND OF THE ILLINOIS ENEMA BANDIT: Version on Läther same as track titled "The Illinois Enema Bandit" on Zappa In New York.

Side Three

LEMME TAKE YOU TO THE BEACH: Version on Läther same as track titled "Let Me Take You To The Beach" on Studio Tan.

REVISED MUSIC FOR GUITAR & LOW BUDGET ORCHESTRA: Version on Läther same as on Studio Tan.

RDNZL: Version on Läther same as track titled "REDUNZL" on Studio Tan.

Side Four

HONEY, DON'T YOU WANT A MAN LIKE ME?: Version on Läther is a different performance from the track on Zappa In New York (though the presence of mallet percussion, not credited on Läther, indicates that it is from the same run of shows).

THE BLACK PAGE #1: Version on Läther is a shorter edit of track from Zappa In New York.

BIG LEG EMMA: Version on Läther same as on Zappa In New York.

PUNKY'S WHIPS: Version on Läther same as on rare, uncensored version of Zappa In New York.

Side Five

FLAMBÉ: Version on Läther is a shorter edit of track titled "Flambay" on Sleep Dirt.

THE PURPLE LAGOON: Version on Läther same as on Zappa In New York.

Side Six

PEDRO'S DOWRY: Version on Läther same as on Orchestral Favorites.

LATHER: Version on Läther same as track titled "I Promise Not To Come In Your Mouth" on Zappa In New York.

SPIDER OF DESTINY: Version on Läther is a shorter edit of track from Sleep Dirt.

DUKE OF ORCHESTRAL PRUNES: Version on Läther same as track titled "Duke Of Prunes" on Orchestral Favorites.

Side Seven

FILTHY HABITS: Version on Läther is a shorter edit of track from Sleep Dirt.

TITTIES 'N BEER: Version on Läther is a longer edit of track titled "Titties & Beer" Zappa In New York; same as on rare, uncensored version of Zappa In New York.

ONE MORE TIME FOR THE WORLD: Version on Läther is a shorter edit of track titled "The Ocean Is The Ultimate Solution" on Sleep Dirt. (Note: the CD issue of Läther uses the latter title for this track.)

Side Eight

THE ADVENTURES OF GREGGERY PECCARY: Version on Läther is a slightly longer edit of track from Studio Tan.
Zappa In New York

source:

Studio Tan

sources:

Sleep Dirt

sources:

Orchestral Favorites

source:


Frank Zappa on Läther

Gail Zappa on Läther

The press on Läther

A review of Läther

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